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Cat's Cradle
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Cat's Cradle
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Cat's Cradle (1963) is Vonnegut's most ambitious novel, which put into the language terms like "wampeter", "kerass" and "granfalloon" as well as a structured religion, Boskonism and was submitted in...
Cat's Cradle (1963) is Vonnegut's most ambitious novel, which put into the language terms like "wampeter", "kerass" and "granfalloon" as well as a structured religion, Boskonism and was submitted in...
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  • Cat's Cradle (1963) is Vonnegut's most ambitious novel, which put into the language terms like "wampeter", "kerass" and "granfalloon" as well as a structured religion, Boskonism and was submitted in partial fulfillment of requirements for a Master's Degree in anthropology, and in its sprawling compass and almost uncontrolled (and uncontrollable) invention, may be Vonnegut's best novel.

    Written contemporaneously with the Cuban missile crisis and countenancing a version of a world in the grasp of magnified human stupidity, the novel is centered on Felix Hoenikker, a chemical scientist reminiscent of Robert Oppenheimer... except that Oppenheimer was destroyed by his conscience and Hoenikker, delighting in the disastrous chemicals he has invented, has no conscience at all. Hoenikker's "Ice 9" has the potential to convert all liquid to inert ice and thus destroy human existence; he is exiled to a remote island where Boskonism has enlisted all of its inhabitants and where religion and technology collaborate, with the help of a large cast of characters, to destroy civilization.

    Vonnegut's compassion and despair are expressed here through his grotesque elaboration of character and situation and also through his created religion which like Flannery O'Connor's "Church Without Christ" (in Wise Blood) acts to serve its adherents by removing them from individual responsibility. Vonnegut had always been taken seriously by science fiction readers and critics (a reception which indeed made him uncomfortable) but it was with Cat's Cradle that he began to be found and appreciated by a more general audience. His own ambivalence toward science, science fiction, religion and religious comfort comes through in every scene of this novel.

 

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Excerpts-

  • Chapter 1: The Day The World Ended Call me Jonah. My parents did, or nearly did. They called me John. Jonah-John-if I had been a Sam, I would have been a Jonah still-not because I have been unlucky for others, but because somebody or something has compelled me to be certain places at certain times, without fail. Conveyances and motives, both conventional and bizarre, have been provided. And, according to plan, at each appointed second, at each appointed place this Jonah was there. Listen: When I was a younger man-two wives ago, 250,000 cigarettes ago, 3,000 quarts of booze ago. . . When I was a much younger man, I began to collect material for a book to be called The Day the World Ended. The book was to be factual. The book was to be an account of what important Americans had done on the day when the first atomic bomb was dropped on Hiroshima, Japan. It was to be a Christian book. I was a Christian then. I am a Bokononist now. I would have been a Bokononist then, if there had been anyone to teach me the bittersweet lies of Bokonon. But Bokononism was unknown beyond the gravel beaches and coral knives that ring this little island in the Caribbean Sea, the Republic of San Lorenzo. We Bokononists believe that humanity is organized into teams, teams that do God's Will without ever discovering what they are doing. Such a team is called a karass by Bokonon, and the instrument, the kan-kan, that brought me into my own particular karass was the book I never finished, the book to be called The Day the World Ended.

Synopsis-

  • Cat's Cradle travels from the home turf of Vonnegut's imagination, Ilium, N.Y. to a Caribbean banana republic where an illicit religion called Bokononism is practiced, as a sense of doom (in the form of ice-nine) overtakes mankind.

About the Author-

  • Hailed by Graham Greene as one of the best living American writers, Kurt Vonnegut is one of the definitive voices in American literature in the second half of the 20th century. Born in Indianapolis in 1922 and a veteran of World War II (Billy Pilgrim of Slaughterhouse Five is his exact contemporary), he worked for General Electric before publishing his first story in 1950 and turning to writing full time. From the beginning, science fiction was an important element in Vonnegut's writing -- his early stories were published in science-fiction magazines -- though his work is in no way merely generic. A scathing and dark wit, a sly intelligence and a richly evolved sense of the absurd make Vonnegut's writing like no one else's. Doris Lessing called him one of the writers who map our landscapes for us, who gives names to the places we know best.
    Vonnegut's first novel Player Piano was published in 1952, and his novels, stories and essays began to appear regularly in the years that followed. It was the publication of The Sirens of Titan (1959) and, ultimately, Cat's Cradle (1963) that established Vonnegut as a major new writer with the general public, both in the U.S. and internationally. The appearance of Slaughterhouse Five six years later brought him an increasingly rare double distinction for a serious writer -- critical acclaim and bestselling success. Vonnegut's other notably titles include God Bless You, Mr. Rosewater; Welcome to the Monkey House; Breakfast of Champions; Slapstick; Jailbird; Deadeye Dick; and Hocus Pocus. Time magazine has described Kurt Vonnegut as George Orwell, Dr. Caligari and Flash Gordon compounded into one writer ... a zany but moral mad scientist.

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