WINNER OF THE PULITZER PRIZETHE EMMY AWARD–WINNING HBO MINISERIES STARRING FRANCES MCDORMAND, RICHARD JENKINS, AND BILL MURRAYIn a voice more powerful and compassionate than ever before, New York...
WINNER OF THE PULITZER PRIZETHE EMMY AWARD–WINNING HBO MINISERIES STARRING FRANCES MCDORMAND, RICHARD JENKINS, AND BILL MURRAYIn a voice more powerful and compassionate than ever before, New York...
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Due to publisher restrictions, your digital library cannot purchase additional copies of this title. We apologize if there is a long holds list. You may want to see if other editions of this title are available from your digital library instead.
Description-
WINNER OF THE PULITZER PRIZE
THE EMMY AWARD–WINNING HBO MINISERIES STARRING FRANCES MCDORMAND, RICHARD JENKINS, AND BILL MURRAY
In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge. At the edge of the continent, Crosby, Maine, may seem like nowhere, but seen through this brilliant writer's eyes, it's in essence the whole world, and the lives that are lived there are filled with all of the grand human drama–desire, despair, jealousy, hope, and love. At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town and in the world at large, but she doesn't always recognize the changes in those around her: a lounge musician haunted by a past romance: a former student who has lost the will to live: Olive's own adult child, who feels tyrannized by her irrational sensitivities; and Henry, who finds his loyalty to his marriage both a blessing and a curse. As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life–sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition–its conflicts, its tragedies and joys, and the endurance it requires. NAMED ONE OF THE BEST BOOKOF THE YEAR BY People
USA Today
The Atlantic
The Washington Post Book World
Seattle Post-Intelligencer
Entertainment Weekly
The Christian Science Monitor
San Francisco Chronicle
Salon
San Antonio Express-News
Chicago Tribune
The Wall Street Journal
"Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout's unforgettable novel in stories."—O: The Oprah Magazine "Fiction lovers, remember this name: Olive Kitteridge. . . . You'll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff."—USA Today
BONUS: This edition includes an excerpt from Elizabeth Strout's The Burgess Boys.
For many years Henry Kitteridge was a pharmacist in the next town over, driving every morning on snowy roads, or rainy roads, or summertime roads, when the wild raspberries shot their new growth in brambles along the last section of town before he turned off to where the wider road led to the pharmacy. Retired now, he still wakes early and remembers how mornings used to be his favorite, as though the world were his secret, tires rumbling softly beneath him and the light emerging through the early fog, the brief sight of the bay off to his right, then the pines, tall and slender, and almost always he rode with the window partly open because he loved the smell of the pines and the heavy salt air, and in the winter he loved the smell of the cold.
The pharmacy was a small two-story building attached to another building that housed separately a hardware store and a small grocery. Each morning Henry parked in the back by the large metal bins, and then entered the pharmacy's back door, and went about switching on the lights, turning up the thermostat, or, if it was summer, getting the fans going. He would open the safe, put money in the register, unlock the front door, wash his hands, put on his white lab coat. The ritual was pleasing, as though the old store—with its shelves of toothpaste, vitamins, cosmetics, hair adornments, even sewing needles and greeting cards, as well as red rubber hot water bottles, enema pumps—was a person altogether steady and steadfast. And any unpleasantness that may have occurred back in his home, any uneasiness at the way his wife often left their bed to wander through their home in the night's dark hours—all this receded like a shoreline as he walked through the safety of his pharmacy. Standing in the back, with the drawers and rows of pills, Henry was cheerful when the phone began to ring, cheerful when Mrs. Merriman came for her blood pressure medicine, or old Cliff Mott arrived for his digitalis, cheerful when he prepared the Valium for Rachel Jones, whose husband ran off the night their baby was born. It was Henry's nature to listen, and many times during the week he would say, "Gosh, I'm awful sorry to hear that," or "Say, isn't that something?"
Inwardly, he suffered the quiet trepidations of a man who had witnessed twice in childhood the nervous breakdowns of a mother who had otherwise cared for him with stridency. And so if, as rarely happened, a customer was distressed over a price, or irritated by the quality of an Ace bandage or ice pack, Henry did what he could to rectify things quickly. For many years Mrs. Granger worked for him; her husband was a lobster fisherman, and she seemed to carry with her the cold breeze of the open water, not so eager to please a wary customer. He had to listen with half an ear as he filled prescriptions, to make sure she was not at the cash register dismissing a complaint. More than once he was reminded of that same sensation in watching to see that his wife, Olive, did not bear down too hard on Christopher over a homework assignment or a chore left undone; that sense of his attention hovering—the need to keep everyone content. When he heard a briskness in Mrs. Granger's voice, he would step down from his back post, moving toward the center of the store to talk with the customer himself. Otherwise, Mrs. Granger did her job well. He appreciated that she was not chatty, kept perfect inventory, and almost never called in sick. That she died in her sleep one night astonished him, and left him with some feeling of responsibility, as though he had missed, working alongside her for years, whatever symptom might have shown itself that he, handling his pills...
About the Author-
Elizabeth Strout is the author of Abide with Me, a national bestseller and Book Sense pick, and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in England. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. She is on the faculty of the MFA program at Queens University in Charlotte, North Carolina, and lives in New York City.
From the Hardcover edition.
Reviews-
Starred review from December 10, 2007 Thirteen linked tales from Strout (Abide with Me , etc.) present a heart-wrenching, penetrating portrait of ordinary coastal Mainers living lives of quiet grief intermingled with flashes of human connection. The opening “Pharmacy” focuses on terse, dry junior high-school teacher Olive Kitteridge and her gregarious pharmacist husband, Henry, both of whom have survived the loss of a psychologically damaged parent, and both of whom suffer painful attractions to co-workers. Their son, Christopher, takes center stage in “A Little Burst,” which describes his wedding in humorous, somewhat disturbing detail, and in “Security,” where Olive, in her 70s, visits Christopher and his family in New York. Strout’s fiction showcases her ability to reveal through familiar details—the mother-of-the-groom’s wedding dress, a grandmother’s disapproving observations of how her grandchildren are raised—the seeds of tragedy. Themes of suicide, depression, bad communication, aging and love, run through these stories, none more vivid or touching than “Incoming Tide,” where Olive chats with former student Kevin Coulson as they watch waitress Patty Howe by the seashore, all three struggling with their own misgivings about life. Like this story, the collection is easy to read and impossible to forget. Its literary craft and emotional power will surprise readers unfamiliar with Strout.
March 24, 2008 Strout's tale of an aging schoolteacher too obsessed with the deterioration of her little town of Crosby, Maine, to realize the problems plaguing her own life, is read with vigor by Sandra Burr. Burr's reading makes Strout's characters rich and wonderful in every way, bringing a well-rounded originality to each one. As Olive, Burr's voice slips into a nagging, aged groan that seems perfectly suited for the central character's downtrodden personality. As Olive's husband, Henry, Burr is understated yet powerful. She understands this poignant tale so entirely that her reading becomes reality for the listener. There is a certain melancholy that infects this story, and Burr is poised to capture and relate it to her audience. Simultaneous release with the Random House hardcover (Reviews, Dec. 10).
February 1, 2008 In her third novel, "New York Times" best-selling author Strout ("Abide with Me") tracks Olive Kitteridge's adult life through 13 linked stories. Olivea wife, mother, and retired teacherlives in the small coastal town of Crosby, ME. A large, hulking woman with a relentlessly unpleasant personality, Olive intimidates generations of community members with her quick, cruel condemnations of those around herincluding her gentle, optimistic, and devoted husband, Henry, and her son, Christopher, who, as an adult, flees the suffocating vortex of his mother's displeasure. Strout offers a fair amount of relief from Olive's mean cloud in her treatment of the lives of the other townsfolk. With the deft, piercing shorthand that is her short storytelling trademark, she takes readers below the surface of deceptive small-town ordinariness to expose the human condition in all its suffering and sadness. Even when Olive is kept in the background of some of the tales, her influence is apparent. Readers will have to decide for themselves whether it's worth the ride to the last few pages to witness Olive's slide into something resembling insight. For larger libraries. [See Prepub Alert, "LJ" 12/07.]Beth E. Andersen, Ann Arbor Dist. Lib., MI
Copyright 2008 Library Journal, LLC Used with permission.
The New Yorker
"Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout's unforgettable novel in stories."--O: The Oprah Magazine "Fiction lovers, remember this name: Olive Kitteridge. . . . You'll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff."--USA Today "Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she's not onstage, we look forward to her return. The book is a page-turner because of her."--San Francisco Chronicle "Olive Kitteridge still lingers in memory like a treasured photograph."--Seattle Post-Intelligencer "Rarely does a story collection pack such a gutsy emotional punch."--Entertainment Weekly "Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air."
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